Links & Fun

Social Distancing Werewolf

Preface: One of our long standing traditions at Shuttleworth Foundation gatherings is several late nights playing Werewolf – not especially unique but massively fun and wonderful for the camaraderie of the group. With travel and in-person events on hold due to current events we transitioned to online sessions for the event, but struggled with the loss of the social accompaniments. As self appointed God of Werewolf for the group, I took it upon myself to find a way to make this work with players in different physical locations. I found a number of people have also tried this, but their instructions were convoluted and obnoxious, so we hacked them apart and tried something new and it worked great, so I thought I’d share how that worked so that someone else can find these instructions and decide they suck and then write their own.

Caveats: If you are reading this I’m going to assume you already know how to play Werewolf so I’m not going to get into the weeds on that. I will say that when I moderate (aka, play God) I prefer the basic standard roles – werewolves, villagers, a doctor and a seer. I find that keeping it simple allows for maximum enjoyment for players and spectators, if you prefer adding what my friend Harper eloquently refers to as Micky Mouse roles, then this method might not work for you.

Also: This method uses Slack and Zoom, because we already use Slack and Zoom so I can attest this works with Slack and Zoom. If you use some other video conference & team communication platforms this may or may not work for you – you’ll just have to figure it out.

tl;dr

  • Everyone turn OFF cameras and MUTE microphones.
  • Roles will be assigned via SLACK messaging by God.
  • God will set up a group private on SLACK with all werewolves.
  • God will communicate with DOCTOR and SEER individually via Slack
  • Game begins: Everyone turn ON your camera, but remain MUTED.
  • God explains how this shit works… Daytime!
  • Villagers UNMUTE and commence ye old chit chat.
  • Nighttime: Turn OFF cameras and MUTE microphones.
  • God interacts with individual people via Slack, the group via Zoom.
  • Daytime: Turn ON cameras and UNMUTE microphones.
  • If you are killed, turn OFF your camera and MUTE your microphone, leave them off until the round is finished.
  • Wolves: If you are killed DO NOT CHAT in the private group. You can watch the discussion, but you are dead so do not fucking chime in.
  • DEAD people can chat in a #werewolf channel on Slack
  • The round ends when one of the following things happens:
    • Werewolves out number villages – WEREWOLVES WIN!
    • The last werewolf is killed by the villagers – VILLAGERS WIN!

More details: Set up

God (aka the Moderator) needs to be the host on Zoom. This allows absolute control and the ability to mute, kill, remove etc anyone at any time for any reason and that’s an important power to wield over the cowering masses you’ve roped into playing this game for your own amusement.

In Zoom, use GRID view and have all players begin with their cameras turned off and microphones muted. At the start only God should be seen and heard.

God should have a piece of paper handy and write down all the players and assign each one of the roles. Then, via Slack direct messaging tell each player their role. I can not stress this enough: DO NOT use the messaging in Zoom. It’s way too easy to accidentally send a message to the wrong person, way too complicated to switch between people and generally a pain in the ass. Using a separate application that handles that better is the way to go. Also on slack you should have a #werewolf channel where everyone who isn’t playing or who has just been killed can hang out. You should also create Direct Message group with only the werewolves which is where they will discuss who to kill each night.

Let’s go!

Once God has assigned roles and set up the private chat for the wolves, the game can begin. God should remind everyone how the game works and then instruct everyone to turn on their cameras and microphones. Daytime in the village!

I don’t recommend villagers are made to kill anyone on the first day, instead it’s a good time to drum up fear and panic about the horrible death and suffering that people have heard about happening in nearby villages.

Nighttime in the village! All players turn off their cameras and mute microphones. This ensures no meta-gaming resulting from someone peeking or saying they thought they heard someone typing when God asked the wolves who they wanted to kill.

God should keep camera and microphone on, and ask wolves, doctor and seer questions through Zoom – but they should respond on Slack.

Once it’s clear who didn’t survive the night, God can announce who is dead, and instruct everyone EXCEPT that person to turn back on their cameras and microphones. Dead people can keep watching and chatting in Slack, but under no circumstances should they turn back on their camera or microphone for the remainder of that game.

Rounds can last as long as God feels like, with full license to end a day if the village gets too boring. God is free to kill anyone at any time for any reason. If at any point the Werewolves out number villages then the Werewolves will win. Alternatively, if and when the last werewolf is killed by the villagers then the villagers win.

We tried this, it worked wonderfully. Give it a shot, adjust anything you want to, and stay vigilant.

In the streets, in the sheets

It’s been almost 3 years since my photobook “Don’t Go Outside” was released. The book was inspired by my ongoing visits to Japan for business and pleasure. A little over 2 years ago the whole family and I moved from Los Angeles to Tokyo and things that seemed exciting previously became normal. It’s an interesting shift that happens when you go from visitor to resident, and vice versa. Visiting Los Angeles now lets me see the city in ways I never did living there – but that’s a different story for another thing. I’m talking about Tokyo right now.

Not long after moving, Tara and I started talking about an idea, loosely based on our new surroundings and how they were making us feel. I made some new photos to try and convey how that felt. We liked them. We thought we’d like to have the photos on some things around our house, and thought maybe others would as well. We mapped out the idea, bought the URL, spent a few hours on it and then put it on the back burner. More than a year later we kicked each others asses and decided to finish it. So we did. Today we launched Street Sheets.tokyo.

Here’s some of the things we made:

There’s more now, and we’ll keep adding more as we go. I’m pretty happy with how these turned out, and am excited to hear what others think, and see the products out in the wild. Here’s a little more that I wrote about the idea behind the work:

After moving to Tokyo in 2017 we began to realize how the lines on the streets offered more than just direction. The bold, iconic lines served their purpose of helping millions of people to navigate the public space, but they seemed to help navigate interpersonal distance and interactions as well. The orderly placement and repeated patterns were soothing and almost comforting. At the same time, the cracks and decay as the paint aged told the story of how things might look beautiful and perfect at a distance, but upon closer inspection the flaws are revealed. This applies literally to the physical paint, but is also indicative of society as a whole. With this insight the stark black and white imagery becomes suggestive of the duality of humanity at scale – functional but inescapably flawed.

These products can be seen as a followup to the book “Don’t Go Outside” – a collection of street photography by Sean Bonner, a voyeuristic exploration of the public human interaction in Tokyo. This stylistic reinterpretation both forcibly minimizes the imagery by removing the people, the individuals, as well as putting full focus on the intention of the population at large. Stripped of the human subjects, all that’s left is their impact. The intention of bringing this imagery literally from the public streets inside to the intimacy of our own homes, living rooms and bedrooms further plays on this duality of intention.

Snuggle up with the struggle.

There was a time in my life when I was just cranking things out left and right. I’ve been feeling pretty stagnant for the last few years, and moving this from idea to shipped felt really good. I give all credit to Tara for putting her foot down and insisting we finish it and get it out the door. It’s exciting to see it materialize, and a testament to committing to just getting it done. I hope you like it.

Where is my mind

I’ve been low on motivation and inspiration recently and my creative output has been weak. This is a short term lull I assure you, and I assure me. In the meantime, this is where I spend my time on the internets. as me:

I have a mailing list called Just Another Crowd that I send emails out to from time to time, mostly collected links that I may have posted elsewhere along with some commentary, occasionally more commentary than links. I’m trying to use Path more often too, but that’s really for friends only.

I’m also “behind the curtain” so to speak to various levels on a bunch of projects which you may or may not find interesting:

I have a few other projects that aren’t quite ready for primetime yet. Once they are, I’ll post ’em.

Just Another Crowd

Part of deciding to put things online again requires sorting of where to put those things. One thing that I used to put on my blog way back in the day were links to things I was reading or to articles that had caught my eye for one reason or another. Bookmarking with delicious, sharing on google reader, tweeting the links and even posting them to Tumblr eventually took over this because it seemed easier, but upon talking to people for a while I realized it was easier for me, easier for others if they were paying attention right at that moment but much more difficult to go back and look something up later.

Yesterday in a conversation about this John Bracken said, jokingly I assume, that he’d subscribe to a mailing list of those links if I put something together. I’d been thinking about that for a while but that sort of gave me the nudge to go ahead and give it a shot. So I present, for your consideration, my new mailing list:

Just Another Crowd

This will be a daily, or daily-ish (or weekly depending) announcement only email list. It’ll collect the links I’ve posted throughout the day(s) from twitter, tumblr, google+, etc all into one place and I’ll aim to give a little bit of commentary about them as well. Maybe even some links I didn’t post elsewhere, we’ll just have to see. I make no promises to the topics, this will very literally be anything that caught my attention so could relate to politics or food or clothes or philosophy or rights or coffee or whatever. Sometimes links will be to news articles, sometimes to websites or companies.

This is an experiment, but I think it could be fun. We’ll see. Feel free to sign up if that sounds interesting.

And because I’m incapable of doing anything that doesn’t reference something else important to me…

Represent LA

Yesterday Tara, Alex and I announced the launch of Represent.LA. Longtime readers will know I’ve got a bit of a crush on LA and haven’t been very good about keeping that a secret. Earlier this year Tara wrote a bit about how LA’s tech scene kicks SF’s ass (with some rad quotes in there) and we started talking mapping out what was actually going on in town and brainstorming what that might look like. We pulled in Alex and got to work. I say “we” but in fact I did far too little for this project to get any credit, I helped with a logo and some sound boarding here and there, but Alex did all the serious coding work and it was really Tara’s initial vision so they should get the mad props. I give them my mad props anyway. It’s a super rad project and I’m delighted to have played even the smallest role in it, and can’t wait to see how it fills out and hopefully gives people doing technology projects in LA something to be a little more proud of and help show off how rad LA is.